A difference like night and day — yet inseparable! Based on the original and exceptional PAFs in Henrik Freischlader’s 1952 Gibson Les Paul Conversion, the Night & Day set delivers the perfect balance of hardness and softness.
The bridge pickup sounds biting, direct and almost percussive, while retaining plenty of sustain and developing a lively dynamic that continues to shape the tone long after the initial attack. The neck pickup, by contrast, is smooth, focused and relatively lean, with pleasantly soft mids that add warmth without becoming dominant or muddy.
Both pickups are designed around a fast, highly direct response, with excellent sensitivity to picking dynamics and a vintage character combined with high output.
The If ’56 Was ’69 set is a tonal journey through the legendary eras of the Fender Stratocaster — a carefully matched combination of pickups, each offering its own distinct character while working together as a cohesive, perfectly balanced set.
The dense, warm tonal structure of the 1950s meets the more open, biting response of the late ’60s. The result is a set that remains consistent across all three positions and truly shines in practical playing situations.
The neck pickup delivers a full, woody tone that is dense yet open — powerful, but never overpowering. The middle pickup builds on this character with a little more directness and sustain, while remaining tonally close to the neck pickup, making it ideal for powerful lead tones. The bridge pickup was deliberately voiced with more body and substance than traditional designs. It sounds direct, slightly raw and clear, without the thinness often associated with Strat bridge pickups.
The entire set is designed to eliminate the tonal weak points of each position, replacing them with carefully balanced frequencies and thoughtfully developed features.
The best of both eras — refined, evolved and tastefully modernized.
The name perfectly captures the defining strength of this set: percussive immediacy in the attack that cuts through instantly, combined with a highly organic, fluid development of sustain.
The neck pickup sounds remarkably full and defined, almost like an old hollow-body guitar. At the same time, it remains clear, velvety and controlled, with a subtle sense of “hollowness” and a fine, lively shimmer in the highs that adds extra depth to the tone.
The bridge pickup complements this character with an open, high-end-rich and highly twangy response that never becomes harsh. Instead, the tone continues to develop, beginning to “sing” while retaining a palpable sense of its own dynamics throughout the sustain.
A Telecaster set that combines rhythmic precision with melodic flow, delivering cutting power, control and expressive character.
Who doesn’t want a P-90 pickup with significantly less hum, without having to sacrifice the full, characteristic P-90 sound? The P-Noiseless Set delivers exactly that.
A rich, dry and punchy tone with high output that always cuts through with clarity and definition. The response is extremely direct and precise, while the notes continue to develop organically after the initial attack, taking on a lively character of their own — exactly what matters in the studio and on stage.
The tonal palette is complex and musical: nutty, caramelized, sweet and savory all at once, while remaining transparent yet cohesive. This set is deliberately voiced as a rock-oriented P-90, combining powerful projection with fine detail — completely free from the characteristic hum of traditional P-90 designs.
